Friday, November 9, 2012

Maslow's Hierarchy of Fears

Reversing Maslow's Hierarchy of Needs to generate anxiety

Maslow's Hierarchy of Needs is a theorized hierarchical order that humans put all of their needs into. If I say I need to go shopping, while that may be true on some minor level, it is not even close to how much I need to drink water, and I would certainly not go to the mall if I was completely dehydrated.

  1. Biological and Physiological needs - air, food, drink, shelter, warmth, sex, sleep, etc.
  2. Safety needs - protection from elements, security, order, law, limits, stability, etc.
  3. Belongingness and Love needs - work group, family, affection, relationships, etc.
  4. Esteem needs - self-esteem, achievement, mastery, independence, status, dominance, prestige, managerial responsibility, etc.
  5. Self-Actualization needs - realizing personal potential, self-fulfillment, seeking personal growth and peak experiences.

It follows that humans' fears are directly related to their needs. Fear of pain is the fear of not being able to fulfill our Physiological needs. Fear of public speaking is a mixture of our fear of losing our current Self-Esteem, not being loved, or losing out feeling of belonging.

With every monster and scary situation, look at it in terms of what needs it threatens. A possessed house? Considering we need shelter, and on a lesser level need safety and stability, this can be a scary prospect. Possessed daughter? That threatens our need for family and affection.

How can I use this?

If you're writing a horror story for a game, film, or book, consider what immaterial things your audience treasure most. If the crazed killer in your story keeps the protagonist from a source of water and food, the audience has a real empathic understanding of the desperation the protagonist is in. When your characters call the police to warn them of the imminent danger, as anyone in the audience would do, have the police brush them off, tell them it is probably nothing to worry about. This will get your audience's anxiety levels climbing as the characters run out of choices (the same choices your audience would want to rely on in a similar situation).

For examples on how to use Self-Esteem needs against the audience, watch the movies Se7en, and Carrie.


Source

McLeod, S. (2007). Maslow's Hierarchy of Needs. Simply Psychology. Retrieved from http://www.simplypsychology.org/maslow.html

The Art of the Jump Scare

"It’s that moment when a character thinks they’re safe, only to have a demon appear suddenly behind them. The final coda when it feels like the movie’s wrapping up — but the killer comes back for one last jump. A mix of tension, cinematic sleight-of-hand, and score, it’s one of the most basic building blocks of horror movies, and it excels at one thing: catching the audience off guard, and jolting the hell out of them." - Bryan Bishop of the Verge

The so-called "jump scare" is one of the most common elements in horror movies - and is where all the tension that has been built up, breaks. You've seen it when the character bends down over a sink, and when they stand straight up, we see a figure in the mirror. Depending on the genre, the character will either then turn around quickly and see that the figure is gone, or be brutally murdered right there.

This is of course an example, and there are many ways a jump scare can manifest. However it appears, it is meant to be a shocking sight, and also completely unexpected. This is achieved by building tension, or as I referred to it previously, raising the anxiety levels of the audience.

The Magic

Enlarge Image

As Bryan points out, the jump scare needs three distinct phases to be successful: the rising tensions, the relief, and the scare. In the graph above, we see that as the tension increases, it reaches a point where having a monster pop out of the darkness will successfully scare the participant, instead of leaving them simply puzzled. (Participant Scarable line) Raise the tension more, and the participant will begin to suspect that the scare is just behind that door... and this is the crucial part: there is nothing behind the door. The tension is relieved, and that's the point in which the jump scare can really terrify you. It elevates the scare from a "cheap scare" to a well executed trick, that leaves the participant saying "I did not see that coming!".


Source

Bishop, B. (2012). 'Why won't you die?!'. The Verge. Retrieved from http://www.theverge.com/2012/10/31/3574592/art-of-the-jump-scare-horror-movies